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๐๐ข๐ญ๐ง๐๐ฌ๐ฌ ๐๐จ๐ซ ๐ญ๐ก๐ ๐๐ซ๐จ๐ฌ๐๐๐ฎ๐ญ๐ข๐จ๐ง- ๐๐จ๐ง๐๐จ๐ง ๐๐จ๐ฎ๐ง๐ญ๐ฒ ๐๐๐ฅ๐ฅ
2nd October 2025
I swear by almighty God that the review I shall give will be the truth, the whole truth, and nothing but the truth...
๐๐ฐ ๐บ๐ฐ๐ถ ๐ด๐ฆ๐ฆ ๐ธ๐ฉ๐ข๐ต ๐ธ๐ฆ ๐ฅ๐ช๐ฅ ๐ต๐ฉ๐ฆ๐ณ๐ฆ?
Witness for the Prosecution is a stage adaptation of Agatha Christieโs classic short story, first published in 1925. Performed in Londonโs historic County Hall, one of the most compelling aspects of this production is its immersive setting โ a real courtroom, with the audience quite literally sitting in the jury box. This unique venue immediately sets the tone, creating a thrilling atmosphere before the first line is even spoken. And yes, the seats have excellent back support.
The story centres on Leonard Vole, a young man accused of murdering the wealthy Emily French. Was he merely a charming, naive acquaintance โ or a calculating killer after her fortune? And what of his wife, Romaine? Will she be his salvation or his undoing? Thus the title: Witness for the Prosecution.
Going in, I wrongly assumed the entire play would unfold in the courtroom. In fact, it shifts cleverly between the courtroom, the barristerโs office, and an outdoor scene. These transitions are handled seamlessly, using smart lighting and set design to clearly distinguish each location without disrupting the pace.
I came into the play blind, having never read the original story. With the production now in its ninth year, I expected something special โ and I was not disappointed.
The cast delivered compelling performances across the board. Charlie Preston, as Leonard Vole, captured the characterโsย innocence and boyish charm so well, it was hard to imagine him as a murderer. Roger May, playing barrister Wilfrid Robarts, and Jolyon Young as the solicitor, commanded the courtroom with ease and conviction (pardon the pun).
Lara Lemon gave a standout performance as Romaine Vole โ elegant, enigmatic, and dangerously poised. Her presence on stage was magnetic, and the court, much like the audience, hung on her every word. Caroline Guthrie brought some much-needed levity as the deceasedโs housekeeper, with her blunt, no-nonsense delivery and unshakable certainty about the events in question, leaving the courtroom in stitches.
Throughout the performance, the tension steadily built, keeping us engaged with every new piece of evidence and each witness testimony. And of course, it wouldnโt be an Agatha Christie drama without a twist โ and this one had us truly stunned. Weโre #SwornToSecrecy, but rest assured: itโs the kind of jaw-dropping turn that reminds you why Christieโs work has endured for nearly a century.
What stood out most to me was how Witness for the Prosecution honours its source material. Rather than attempting to modernise Christieโs writing, the production leans into its period charm, allowing the timelessness of the story to shine through. It feels less like watching a play, and more like stepping into a story from another era โ immersive, atmospheric, and completely gripping.
Iโll absolutely be recommending Witness for the Prosecution to everyone I know. Whether youโre a die-hard Christie fan or new to her work, this is a theatrical experience not to be miss!ย โญโญโญโญโญ